Übersetzung und Analyse von Wörtern durch künstliche Intelligenz
Auf dieser Seite erhalten Sie eine detaillierte Analyse eines Wortes oder einer Phrase mithilfe der besten heute verfügbaren Technologie der künstlichen Intelligenz:
- wie das Wort verwendet wird
- Häufigkeit der Nutzung
- es wird häufiger in mündlicher oder schriftlicher Rede verwendet
- Wortübersetzungsoptionen
- Anwendungsbeispiele (mehrere Phrasen mit Übersetzung)
- Etymologie
fully two hours - Übersetzung nach arabisch
![Fully at the foot of the [[Grand Chavalard]]](https://commons.wikimedia.org/wiki/Special:FilePath/Fully-suisse.jpg?width=200 "Fully at the foot of the [[Grand Chavalard]]")
![[[Green lizard]]](https://commons.wikimedia.org/wiki/Special:FilePath/Colourful lizard - panoramio.jpg?width=200 "[[Green lizard]]")
![Cactuses ([[Opuntia]])](https://commons.wikimedia.org/wiki/Special:FilePath/Cactuses.jpg?width=200 "Cactuses ([[Opuntia]])")
تماما ، بكل مافى الكلمة من معنى على الاقل
Definition
Hey, do you think we'll win tonight? Fully.
Wikipedia
Red Alert is a 1958 novel by Peter George about nuclear war. The book was the underlying inspiration for Stanley Kubrick's 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Kubrick's film differs significantly from the novel in that the film is a black comedy.
Originally published in the UK as Two Hours to Doom, with George using the pseudonym "Peter Bryant" (Bryan Peters for the French translation, 120 minutes pour sauver le monde), the novel deals with the apocalyptic threat of nuclear war and the almost absurd ease with which it can be triggered. A genre of such topical fiction, of which Red Alert was among the earliest examples that sprung up in the late 1950s, led by Nevil Shute's On the Beach.
Eugene Burdick and Harvey Wheeler's later best-seller, Fail-Safe, so closely resembled Red Alert in its premise that George sued on the charge of copyright infringement, resulting in an out-of-court settlement. Both novels would go on to inspire very different films that would both be released in 1964 by the same studio (Columbia Pictures).
